Well, those who know me are aware of how much of a fan I am of hip hop. So, in the spirit of the new year I thought I would put together my top 25 hip hop albums of 2007. Now, for those who may not know myself and just happen to stumble upon my list, I will preface this by saying that this is not meant to be an “objective” list. You will not find too many albums that feature dance-inspired tracks. I don’t have anything against Lil’ Wayne, but you won’t see any of his mixtapes on this list. Curtis is also M.I.A., I don’t care about Jim Jones, Kanye doesn’t have the best hip hop album of the year, and don’t ask me about Soulja Boy having the #1 music video on BET.
So, to make it somewhat fair for everyone, I did come up with my own rating system. I judged each release that I owned according to the following (on a five point scale): beats and rhymes (that’s simple), creativity (Yep, please don’t try to sound like everyone else–unless you’re better than everyone else. And I don’t mean creativity for the sake of it either.), influence (This is ambiguous and tough to judge but, could this change the game-at least on a small scale? Should other artists take notice of your album?), nostalgia (Was your release memorable in the ‘07?), hype/anticipation (Another tough and self-centered category, but I wonder if your release was anticipated by myself, by fans?), surprise (Did your release just come out of nowhere? Or, was your album surprisingly better than I thought?), cohesiveness (I want a good ALBUM, not just a string of ringtone tracks or I-Pod favorites!), replay value (This is another tough category for recent releases, but not for earlier albums.), and then “bonus” (Again, totally self-centered, but I don’t think any of these albums received less than a 2.5 in this category.).
There it is. It is up to you to agree, disagree, add and subtract albums as you please. I don’t claim to be an expert. I’m just a fan. I will say this, I don’t believe in a perfect album so no artist on this list received a 50, but no one received less than a 25.
The Top Ten
10. Cap D, Return of the Renegade (43/50)
The Heat: Return of the Renegade, Blow, Bright Lights, Street Knowledge, Ups & Downs, The Come Up, Shabazz, Adrenaline Rush
“See people ask me what I ever stop for. I had to rediscover what to rock for. I rock it for the heads who love the hardcore. I rock it for the babies out in Darfur…”
The Word: Natural Elements veteran, Cap D, comes through with his second (or third) solo effort. Originally this album was ranked 13 or 14 but it rose due to all of the “ties” in the top 10. Don’t get me wrong, Return of the Renegade is top 10 worthy. There is really only one hiccup in the album and that was Rhymefest-assisted “Destiny.” I don’t know what it was about the track (maybe it was the sample) that just did not seem to sit well with me. Beyond that, Return of the Renegade is not short of bringing the heat with tracks like “Return of the Renegade,” “Adrenaline Rush,” and “Street Knowledge.” Cap D and Ali also does justice to a sample already used by Ghostface and Raekwon (”Apollo Kids”) on “The Come Up.” The only other problem with Return of the Renegade was that it clocked in under 45 minutes.
9. *Tie* Hell Razah & Blue Sky, Black Death, Razah’s Ladder (44/50)
The Heat: Razah’s Ladder, The Cube, Halos, Audiobiography, Project Prophecy, Painted Jezebels, Written in Blood, Stairway to Heaven
“Most of my fanbase hate Bush, but love kush. The White House will get ambushed…” - Hell Razah, “Stairway to Heaven”
The Word: This is another album that came from nowhere. Hell Razah is a hip hop veteran that should be recognized as such with this release. Production team, Blue Sky, Black Death also deserves their props! Razah’s Ladder includes two tracks (”Razah’s Ladder” and “Stairway to Heaven”) that can compare to anyone’s. The first artist to receive a 5 in any category.
Cunninlynguists, Dirty Acres (44/50) *Mood Music*
The Heat: Never, Valley of Death, Dirty Acres, Wonderful, Yellow Lines, Summer’s Gone, Georgia, Mexico
The Word: I remember seeing someone’s opinion of one of the tracks (”Yellow Lines”) where they compared it to tracks on Outkast’s ATLiens. I was like yeah right…that is until I heard the whole thing. Don’t get me wrong, they’re far from Andre 3000 and Big Boi, but if you were a fan of that album, just listen to it.
8. Black Milk, Popular Demand (45/50)
The Heat: Sound the Alarm, Insane, Lookatusnow, U, Shut it Down, Watch’Em, Action, One Song, Luvin’ It, Home of the Greats
The Word: Dubbed as Dilla’s heir apparent, Black Milk comes through with a strong debut album . One of the better produced albums of the year. One of the few albums that I had to ORDER! I think Milk’s got next!
7. X-Clan, Return From Mecca (45.5) *Music With A Message*
The Heat: Voodoo, Why U Doin’ That?, Weapon X, Speak the Truth, Weapon X, Atonement, Self-Destruct, To the East, Locomotion, 3rd Eyes on Me, Respect
“I circle with street-soldiers that build and plant stakes. Free the land from Babylon, my skills educate. In these United States there stands no debate. The restrictions of law makes us communists of hate…” - Brother J, “Prison”
The Word: While most people either no longer care to hear modern incarnations of the “pro-Black” music that was popular in the late 80s and early 90s or even remember X-Clan’s previous efforts, I was anticipating the efforts of Brother J and the Clan. Again, I may have to remind the reader, this is MY top 25, not The Rolling Stone, not The Source, not any of the hip hop sites. Surprisingly the production is good and Brother J, while not the ill-est lyricist, reveals his hunger and capacity to pen meaningful lyrics. “Prison” is probably one of best tracks I’ve heard this year, and in a long time. Don’t forget, 1 in 3 black men in the United States end up incarcerated at one point in their lives. In an era where the younger generations don’t respect their hip hop elders, X-Clan’s Return… was one worth making. Boasting well-placed guest appearances from the likes of KRS, Charlie 2na, and Tech N9ne, Return from Mecca is politics with the boom-bap.
6. Ohmega Watts, Watts Happening (46/50) *Mood Music*
The Heat: No Delay, Model Citizen, Few and Far Between, Eyes & Ears, Roc the Bells, Adaptaco, Dedicated, Gone With the Wind
“I ignite change with the stroke of a pen…Watts is at it again…” - Ohmega Watts, “No Delay”
The Word: Unfortunately, most people probably haven’t heard of Ohmega Watts. Actually, I had not heard of him until I purchased his last cd, The Find last year. That album is still one of my favorites, so when I heard he was preparing to release this album this year I was hyped. I try to talk this guy up anytime one of my closest hip-hop heads asks me about some music. His albums are usually diverse; they include some boom-bap-type tracks as well as the chill. He will throw a couple of R&B-ish as well as some instrumental cuts as well.
I can’t say that Watts Happening blew my mind away like The Find. I would probably classify this as some “mood music” also (like Common’s). This effort begins at a slower pace (with the exception of the first track) with tracks like “No Delay” and “Model Citizen,” but then it picks up later. This really isn’t an “I-Tunes” album where you select tracks and put them in your I-Pod, Watts Happening is a great album that should be listened to all the way through. With that being said, you should put at least “Model Citizen” and “Gone With the Wind” on your mp3 player.
5. Cilvaringz, I (46.5/50)
The Heat: Wu-Tang Martial Expert, The Weeping Tiger, In the Name of Allah, Jewels/Christ & Judas, Blazing Saddles, The Saga, Elephant Juice, Dumb, Deaf & Blind, Valentines Day Massacre
“So I conceded to Allah to fight Satan, teach Pagans, and diversify Arabians/In the eyes of those victims in the media/giving them an image of a threat made it easier for them to slay us in the eyes of the weak and justify a war with the lies that they speak…” Cilvaringz - “Dumb, Deaf, & Blind”
The Word: One of the few hip hop albums (in English and that’s made it into the U.S.) from the point of view of an orthodox Muslim—a Muslim and Wu-Tang affiliate in fact. Some people may take issue to his poem, “Death to America,” but if you’re open-minded enough not to skip this track, then you may appreciate his efforts of conveying an alternative point of view.
Anyways, this is vintage Wu. “Wu Tang Martial Expert,” again, is up there when it comes to starter tracks. When it comes to the sound of the track, one almost confuses Cilvaringz and Rza. There’s some false advertisement with many of the featured guests. Method Man and Ghostface provides introductions on “In the Name of Allah” and “The Weeping Tiger.” But Killarmy and Killa Sin kill it on “Blazing Saddles” and “Dart Tournament!” I is not devoid of serious tracks as Cilvaringz drops some knowledge on “Elephant Juice” and “Dumb, Deaf, & Blind.” I’ve heard that many of these tracks are not “brand new,” so I may have left a few people disappointed. However, if you’re a Wu fan and you haven’t heard any of his work, then I is a must have for the 2007.
4. *Tie* Kanye West, Graduation (47/50)
*Watches for thrown objects*
The Heat: Good Morning, Champion, I Wonder, Good Life, Can’t Tell Me Nothing, Flashing Lights, Everything I Am (I still can’t believe Common passed on this track…), The Glory, Homecoming, Big Brother, Bittersweet
“I know people wouldn’t usually rap this. But I got the facts to back this. Just last year Chicago had over 600 caskets. Man, killing’s some wack shit. Oh I forgot, except for when niggas is rapping. Do you know what it feels like when people is passin’?” - Kanye West, “Everything I Am”
The Word: This is probably the most anticipated review of them all. How does Kanye end up with the sixth best album (At one point in time he was hanging on for dear life at #9)? It could be argued that this is an unfair judgment, however, when one thinks of his previous two albums, it leaves one wondering, was Kanye only trying to win awards with this album? Did he only care about making “stadium-status”-type tracks? Because to me, while the production remains still top-notch, and Kanye is Kanye, Graduation seems to be Kanye’s album where he “dumbed down so he could double his dollars.” So I can’t tell him nothin’. But Kanye should at least take this away, he is so good of an artist that now his future work will be judged among his most phenomenal work and among the best that hip hop and music has had to offer. Graduation is still a great album nonetheless, and it should be considered as one of the best releases among the real (paid) critics. I’m so glad he defeated 50!
El-P, I’ll Sleep When You’re Dead (47/50)
The Heat: Tasmanian Pain Coaster, Smithereens, Up All Night, Drive, Habeas Corpus, Flyentology, No Kings, The League of Extrodinary Nobodies, Flyentology (Cassettes Won’t Rewind Remix), Poisenville Kid No Wins
“This is the sound of what you don’t know, killing you. This is the sound of what you don’t believe, still true…” El-P, “Tasmanian Pain Coaster”
The Word: Yes, This is the chic “underground” pick of 2007. And as my saying goes…there’s some artists who are underground because they’re good and made that choice and there’s some who are underground because they’re just not that good. At first, I thought El-P fell into the latter category after hearing this as well as his previous album. Thus, I’ll Sleep When You’re Dead did not get much burn. Then, I don’t know what happened. This album just stayed in my cd player for a couple of weeks in a row. I can’t explain it. The production is much more cohesive than his beats that were featured on his first album. “Tasmanian Pain Coaster” sets the tone of the album with its intensity; it is probably one of the better opening tracks of this year. “Flyentology” is parody of “scientology” and religious faith in general. “Habeas Corpus (Draconian Love)” is a weird tale about a female prisoner and a guard who seeks a tryst. “No Kings” makes you want to break out the fat black marker and spraypaint and go tagging. El-P’s I’ll Sleep When You’re Dead is subterranean New York sound. If El-P would’ve included the “Flyentology (Cassettes Won’t Rewind Remix)” with Trent Reznor this album would be rank a little higher (If he wanted to put himself on the hip hop/music map, he should release this song as a single with a hot video, repress the disc with this song as a bonus…that’s what I would do, anyways…). But if you buy this then find that remix and add it to your disc, I-Pod, mp3 player or whatever.
3. *Tie* Common, Finding Forever (47.5/50) *Mood Music*
The Heat: Start the Show, The People, Drivin’ Me Wild, Southside, I Want You, The Game, U, Black Maybe, Misunderstood, Forever Begins
“I watch Crash and realize that we’re all survivors, no religion or race could ever describe us. My guys do dirt, but never really talk about it. Forever begins, just because I thought about it.” - Common, “Forever Begins”
The Word: Ironically, Common edges Kanye for the 3th spot (Was originally 8th). As Kanye’s teammate, Common continues to provide his fans and listeners with that melodic, chill, and thought-provoking music. “The People” was probably one of my favorite tracks overall this year—and one of Common’s best. It almost plays like a sequel to the title track from his last album (Be). Actually, this whole album could be considered an extension of his previous effort. The group of producers—Kanye, Dilla (R.I.P.), and Will.I.Am—helped assemble one of the more cohesive albums of the year. I wish he would release “Southside” as a single because both Common and Kanye kill it on some straight hip hop in the park sh…! Tracks like “Forever Begins” & “U, Black Maybe” is one of the more meaningful tracks of the year also. If you’re hip hop or a music fan, then you should buy, and if you’ve only downloaded this album, then you owe Common some cash!
Jay-Z, American Gangster (47.5/50)
The Heat: American Dreamin’, No Hook, Roc Boys, Say Hello, Ignorant Sh.., Success, Fallin’, American Gangster
“Imus, the part when it stop being about Imus, what do my lyrics have to do with this shit? Scarface the movie did more than Scarface the rapper to me. So that ain’t the blame for all that’s happened to me…So let’s stop bullshitting, until we all without sin let’s quit the pulpittin’…” - Jay Z, “Ignorant Shit”
The Word: Inspired by the MOTION PICTURE (in case some people forgot) American Gangster finds Jay returning full circle to his hustlin’ roots. In fact, this may be more of a thematic album than the infamous Reasonable Doubt. The group of producers who worked on this album—Diddy & the Hittmen, Just Blaze, the Neptunes, and DJ Toomp to name a few, did well to craft a backdrop that harks back to the mood of the 1970s. And in addition to his tales of drug dealing, Jay gets a little more political on tracks like “Say Hello” and “Ignorant Shit.” While it was hated on, his second single, “Roc Boys (And the Winner Is…)” was one of the hotter singles of the year. I guess there weren’t enough hand claps, finger snaps, 808’s, and a dance to go with it. And although “Ignorant Shit” was released after The Black Album via mixtape, it was nice to hear Beanie’s appearance and to have an official version. Overall, this album is top 3 of the year and his best work since The Blueprint. I’m sure, as all of Jay’s work, this will be debated. He ties with Common but if you know boxing, the champion always receives the benefit of the doubt.
2. Lupe Fiasco, Lupe Fiasco’s The Cool (48.5/50)
The Heat: Go Go Gadget Flow, The Coolest, Paris, Tokyo, Gold Watch, Hip Hop Saved My Life, Streets On Fire, Little Weapon, Dumb It Down, The Die
“He picked up his son with a great big smile, rapped every single word to the newborn child. Then he put him down and went back to the kitchen and put another beat and got back to the mission of…get his momma out the hood…man it feels good when it happens like that. Two days from going back to selling crack, yessir…”
-Lupe Fiasco, “Hip Hop Saved My Life”
The Word: Here’s another album that I’ve seen catch a lot of flack on the ‘net. While it may not be better than Food & Liquor, I think its top 2 this year. On one hand it’s one of the more complex concept albums, and on the other hand, there seems to be tracks that don’t necessarily fit the concept like “Go Go Gadget Flow” and “Little Weapon,” but, somehow, fits. There are a lot of tracks on here that should be in my list of tracks of the year. “The Coolest,” “Paris, Tokyo,” “Hip Hop Saved My Life,” “Streets on Fire,” “Little Weapon” and “Dumb it Down” all stand out. “Hip Hop Saved My Life” is about an aspiring artist’s struggle to leave drug-dealing for success in the rap game. It provides a great contrast to all of the recent media hoop-la of hip hop (culture) killing young black Americans. Lupe envisions the “streets” a woman afflicted with a mortal illness and he raps from the perspective of a child soldier in “Little Weapon.” As said earlier, this album is not just a great listen, its complex. I’m sure I’ll be picking up on lyrics on this album a year from now. It may appeal to a wider audience, but it’s still a great album nonetheless. No sophomore slump here.
1. Talib Kweli, EarDrum (49/50)
The Heat: Everything Man, NY Weather Report, Say Something, Country Cousins, Holy Moly, Eat to Live, Soon the New Day, Give Em’ Hell, More or Less, Stay Around, Hot Thing, The Perfect Beat, Listen!!!, Hostile Gospel, Pt. 2, The Nature
“…lend me your ears, start repenting because the ending is near but don’t panic because you can’t function if you’re living in fear. Pay attention you gotta listen to hear…banging on the system. Fighting my kind of war. Loud as a whisper, quiet as a lion’s roar.” - Talib Kweli, “Listen!!!”
The Word: So, here’s my album of the year. I wonder who is surprised. Well, I was. This was another album I was not too impressed with off of first listen. At first, EarDrum seemed all over the place (esp. with all of the producers), but the more I listened to it, the more it seemed to come together. This album includes some boom-bap, straight up hip hop tracks, like one of my favorite songs this year “NY Weather Report.” Talib remains thoughtful on tracks like “Eat to Live,” “Give Em’ Hell,” and the Justin Timberlake-assisted, “The Nature.” Talib also provided listeners with one of the better cuts for the ladies with the Will.I.Am-produced and assisted, “Hot Thing.” There are also great guest appearance from the unlikely of guests like U.G.K. in “Country Cousins” and Norah Jones on the somber “Soon the New Day.” Everyone’s favorite rapper, Kanye West also makes an appearance on the chilled out, “In the Mood.” Hip hop stalwart, Pete Rock brought the heat on the beat tip on “Holy Moly” and “Stay Around.”
So, Talib “I can’t be everything man” Kweli here’s to you in the ‘07!
The Best of the Rest
11. Ghostface Killah, The Big Doe Rehab: 42.5
12. Blue Scholars, Bayani: 42 (Music With a Message)
Percee P, Perseverance: 42
The Heat: The Man to Praise, Watch Your Step, 2 Brothers from the Gutter, Ghetto Rhyme Stories, No Time For Jokes, Put it on the Line
The Word: Finally, the long awaited solo album from hip hop veteran.
13. Wu Tang Clan, 8 Diagrams: 41.5
The Heat: Campfire, Take it Back, Rushing Elephants, Unpredictable (except for Rza’s guitars!), Wolves, Gun Will Go, Windmill, Weak Spot, Life Changes
The Word: As far as Raekwon’s beef with the guitars and changing beats, he was right when it came to “Unpredictable.” The guitar does take away from it. And I’ve heard another version of Wolves that’s pretty good too, but I may like this beat better. More generals should’ve been on this track. Appearance of Gza on tracks like the Mathematics-produced “Stick Me For My Riches” was unexpected, but I guess Wu is truly unpredictable….
Statik Selektah, Spell My Name Right, 41.5
Prodigy, Return of the Mac: 41.5
The Heat: Stuck On You, Mac 10 Handle, Take it to the Top, Bang On Em, Nickel and a Nail
The Word: Prodigy’s Return of the Mac was Jay’s American Gangster before Jay seen the film. I was not impressed with this album upon first listen, but as albums do sometimes, it grew on me. Rife with 70s –era samples, Alchemist produced the whole album. The production helps because I’m not sure if I’ve gotten over Prodigy’s style change after Murda Musik and Infamy. I mean this is the person who said, “My empire strikes with the strength of poisonous snakes…” and has killed it on some of the best hip hop tracks ever made with Mobb Deep. If there was only one groups I can turn the clock back on it would be Mobb Deep. Because Prodigy from 1995-1999 was not just light years ahead of his current boss, 50 Cent, as far as lyrics are concerned, he was up there with the likes of Big, Nas, Wu, and the “American Gangster” himself.
14. Blu & Exile, Below the Heavens: 39.5
Brother Ali, The Undisputed Truth: 39.5
15. Mr. J. Medeiros, Of God and Girls: 39 (Music with a Message)
Special Teamz, Stereotypez: 39
16. Public Enemy, How You Sell Soul to a Soulless People Who Sold their Soul????: 38 *Music with a Message*
The Heat: Title Track, Back to Black, Harder Than You Think, Amerikan Gangster, The Enemy Battle Hymn of the Public, See Something,
The Word: Next to collaborative effort with Paris, could be their best album since their Def Jam days.
One Be Lo, The R.E.B.I.R.T.H
17. Evidence, The Weatherman LP: 37.5 (Underrated!)
18. Little Brother, The GetBack: 37
The Heat: Sirens, Can’t Win for Losing, Breaking My Heart, ExtraHard, Two Step Blues, When Everything is New
The Word: Album grew on me. I was probably just pissed that there was only one 9th Wonder track. But GetBack is more soulful than I thought. The GetBack is in the 40s if they include tracks like “Step Off” and “The Getaway.” It left me wanting more!
19. Black Milk, Black Milk Presents…Caltroit: 36.5 (Under the Radar)
Joell Ortiz, The Brick:Bodega Chronicles: 36 (Surprise Album!)
Standout tracks: 125 (Pt. 1), Brooklyn Remix, Hip Hop, Modern Day Slavery, Block Royal
The Word: This is another album I overlooked. I was distracted by my schoolwork when I first listened to this album. To make matters worse, I was listening to it through my weak laptop speakers. So, when I decided to sit down to listen to the Ortiz properly I was quite surprised by the plethora of hard-hitting tracks. If this would have came out in between ‘96 and ‘98 The Brick may have had more fan-fare. Dr. Dre needs to put this man out now!
20. DJ Jazzy Jeff, The Return of the Magnificent: 36
21. Wyclef Jean, The Carnival Vol. II: 35
22. KRS-One & Marley Marl, Hip Hop Lives: 34.5 (Music With a Message)
Killah Priest, The Offering: 34.5
DJ Muggs and Sick Jacken, DJ Muggs vs. Sick Jacken: The Mask and the Assassin: 34.5
23. Pharoahe Monch, Desire: 33
The Heat: Free, Desire, Push, Welcome to the Terrordome, When the Gun Draws, Let’s Go, So Good, Agent Orange
Notes: There are three things with Pharoahe: A.) This album was long overdue. B.) Three of the tracks that were leaked plus the Public Enemy cover were the best tracks on an album (”Agent Orange” has been out for years. “Desire” was leaked in ‘06 and “Push” earlier in ‘07. “Let’s Go” may have been leaked too if I’m not mistaken.) That’s a problem. Desire begins with an adrenaline rush and comes to an almost halt towards the end (with the exception of “Agent Orange” or “Book of Judges” depending upon the version you have). And I almost forgot, C.) Is it true that Black Milk may handle a lot of production on his next effort? If so, he’ll be in my top ten if I ever do this again.
24. UGK, Underground Kingz: 32.5
25. Killa Sha, GOD Walk On Water: 31
Close, But No Cigar
1. Cassidy, B.A.R.S.: 29.5
2. Sean Price, Jesus Price Superstar: 29
3. Scarface, Made: 28
4. Strong Arm Steady, Deep Hearted: 27.5
5. Boot Camp Clik, Casualties of War: 27.5
6. K-Os, Atlantis: 27
7. Median, Median’s Relief: 25.5
8. Marco Polo, Port Authority: 25
9. Polyrhythym Addicts, Break Glass: 24.5
10. Havoc, The Kush: 24